[IMPROPER:]
(“New”) dosido(8). allemand-L 1.5, to change places(8).
Partner bal&swing(4+12).
DTHall line4, ONEs next to TWOs(6), turn as a couple(2). Come back UTHall(6), bend the line(2)...
...Circle left 3-places(8). Nbr swing(8). look for new on L-diagonal.

[IMPROPER:]
Bal-the-ring then petronella(8). Bal-the-ring, petronella(8).
Bal-the-ring(4). Nbr swing(12) on the side.
 1.5 in the middle(8), partner swing(8) on the side.
Circle-left 3-places(8). Ring-bal(4), California twirl(4).
Hank Morris | Contraversial.

[IMPROPER: Identify DIR-of-PROG(!) for the ]

Nbr bal&swing(4+12).
Pass through to an ocean wave(4) [“pass the ocean”], bal-the-wave(4). Everyone spin/slide right, with sliding past two people to snag L-hands(3); L-allemand to face partner(5).
Partner bal&swing(4+12).
dosido 1.5(8). current nbr(8), to face new nbr.
Nils Fredland | Perpetual e-Motion. Charlie Dyer | Briarpickers.

[BECKET: Slide-left to chain.]
[New] chain(8), into Mad-Robin(8) [ slide-L in front of NBR].
pass right to start a full hey (8+8).
cross the set, passing right shoulders, to swing partner(4+12).
Long-lines(8). Circle left all way, then Slide-Left to new NBRs(8).
Jonathan King (no-walk-through) | Montage.
Jolaine Jones-Pokorney | Barnstorm.
Posted on the Callers mailing list was: “The published choreography has B1 as pass rt shoulder to gypsy partner, then swing.”

[Square-Keeper: Identify corner-person]
HEADs/SIDEs Pass-the-ocean(4), balance the wave(4). Walk fwd(2) and swing the one you meet(6), to make lines at the SIDES/HEADS.
Lines fwd-and-back(8). Center four walk-fwd and swing partner(8) to face up-down/across.
[Center four] Pass-the-ocean, balance the wave(4+4). Allemand-R 1.5 (8) to face corner.
Allemand-L your corner, swing partner(8+8).
Works well with -to-Center break.

[BECKET: The Earthquake! shakes you from the-one-you're-swinging to swinging-the-next. (Triple-Swing version, single-progression.)]
[Before becketizing: Id DIR-PROG. Pass through up-down, takes hands4 with the next; these are your current nbrs. Your Previous nbrs are behind you. Now BECKETIZE.]

Star-R 3-places(8). With new couple “your previous nbrs”, star-L all-the-way(8).

[Face orig. Nbr; ONEs down, TWOs up]  Square-Through [Nbr R-hand bal and pull-by(4+2); w.prtnr L-hand pull-by across(2); w.nbr R-hand bal and pull-by(4+2); w.prtnr pull-by across(2)], to face current nbr. In this Square-Through: always turn right, turn left.

Swing curr.nbr(8). “Earthquake! You swing the next!” Face away from the-one-you-swung, and swing the next(8) [in your Dir-Prog.].

Circle-left 3-places(8). Partner swing(8).

Written for my Cocoa Beach friend, Andreas. First called at his dance.

[Circle-mixer waltz: Couples start in circle, -on-the-right]
All fwd (2 measures), all back (2). Circle left(4).
All fwd (2), all back (2). Half sashay to trade places with partner [ sliding left in front](2). Say farewell and then courtesy turn the next (2).

Promenade this new partner(4), end facing partner [ facing out]. Back away from partner, backing toward the center(2), balance R&L [yeminite](2).
Come forward, partners do-si-do(4). Waltz with partner(4), end by opening up to face center.
Smukler writes: The half sashay at the end of the A-part is not intended to include a roll away; both people slide. The courtesy turn can be a wide looping movement; it should flow into the promenade.

[IMPROPER: Identify ONEs/TWOs, and direction of progression.]
Nbr bal&swing(4+12).
Circle left 3-places(8). Partner swing(8).
Long-lines(8). chain [to nbr](8).
Star-L 4-places(8). Next Nbr dosido(8).
OR: A2: Long-lines and take partner back to side(8). Partner swing(8).
Jean Gorrindo | Celtic Spring. Linda Leslie, calling the give&take variant.