No walk-through
Small Potatoes
by Jim Kitch.
[IMPROPER:]
With nbr, Bal&Swing(4+12).
R-hands-across--Star 1x (8). chain [to partner](8).
dosido(8). Partner swing(8).
Circle-left 3-places and pass thru(6+2), next nbr dosido(8).
With nbr, Bal&Swing(4+12).
R-hands-across--Star 1x (8). chain [to partner](8).
dosido(8). Partner swing(8).
Circle-left 3-places and pass thru(6+2), next nbr dosido(8).
3-dance-medley
[PRELIM: Becketize, then have Ladies-chain, into
Mad-Robin, into full-hey. Ladies chain on back.
“None of these moves are in the dance. But they might appear... ” ]
Oval-teen
by Jonathan King.
(July 2013)
[BECKET: At A2: “You will be leaving
your partner, eventually coming back for a glorious swing”.
[ allemand-L, oval-right;
allemand-R, oval-left.]
When you leave the oval to allemand, return
to the same spot in the oval.
[Slide-left to New Nbrs to...] Circle left 3-places(8). Nbr swing(8).
allemand-L(8) [back to place]. Oval-right(8).
[You are across from your Partner, and same-gender Nbr; they are couple #1. Oval-R to pass couple #2, #3, and as you get to couple #4... (opposite gender in #4 is your “Shadow”) stop, get ready to...]
R-allemand with #4 (8). Oval-left(8) [back to your original four-some, facing your Partner].
Circle left 3-places(8). Partner swing, and Slide-Left to face new Nbrs(8).
Written for my
[Slide-left to New Nbrs to...] Circle left 3-places(8). Nbr swing(8).
allemand-L(8) [back to place]. Oval-right(8).
[You are across from your Partner, and same-gender Nbr; they are couple #1. Oval-R to pass couple #2, #3, and as you get to couple #4... (opposite gender in #4 is your “Shadow”) stop, get ready to...]
R-allemand with #4 (8). Oval-left(8) [back to your original four-some, facing your Partner].
Circle left 3-places(8). Partner swing, and Slide-Left to face new Nbrs(8).
Written for my
teen, Ruth, when she was 12, while driving to pick her up from Adventure Camp.
Three Ceremonies
by Adriane Moser.
[BECKET: Slide-left to chain.]
[New] chain(8), into Mad-Robin(8) [ slide-L in front of NBR].
pass right to start a full hey (8+8).
cross the set, passing right shoulders, to swing partner(4+12).
Long-lines(8). Circle left all way, then Slide-Left to new NBRs(8).
[New] chain(8), into Mad-Robin(8) [ slide-L in front of NBR].
pass right to start a full hey (8+8).
cross the set, passing right shoulders, to swing partner(4+12).
Long-lines(8). Circle left all way, then Slide-Left to new NBRs(8).
Jonathan King (no-walk-through)
| Montage
Chainsaw Reel
by Don Lennartson.
[BECKET: ID-dir-prog, THEN Becketize! Huge oval circle.]
[Same two] chain(8). Long lines(8); keep hands, and connect at the ends to make a huge oval.
Oval right(8) [“Ovaltine”]. Oval left(8) [“OvalTang”].
[Original foursomes] Circle-left(8). [C'mon back with a] Left-hand star(8) all the way around [ in front of his partner].
[ look right and] Allemand-R the new nbr- coming toward you(8). Partner-swing(8), on the side.
[Same two] chain(8). Long lines(8); keep hands, and connect at the ends to make a huge oval.
Oval right(8) [“Ovaltine”]. Oval left(8) [“OvalTang”].
[Original foursomes] Circle-left(8). [C'mon back with a] Left-hand star(8) all the way around [ in front of his partner].
[ look right and] Allemand-R the new nbr- coming toward you(8). Partner-swing(8), on the side.
Major Hey
by Erik Hoffman.
[4-FACING-4, Becket. (Take hands4 with couple
in front of you, turn it one click to the left.)
Before becketizing, identify your
“Travel Buddies ”
in your short line4.
Crooked tune, 16×5=80 beats]
Circle left 3-places(6), Face up and down Pass thru and swing the next to a new set(2), to Swing your new nbr(8). [End in BECKET, facing partner, next to nbr, in two groups-of-four.]
[Four] Long lines, fwd&back(8). allemand-L 1.5 into(8)… a long Wavy line of eight folk, your partner in your R-hand.
Rory O'More [wavy-bal, R-L, slide right catch L-hands, bal L-R, slide left, snag R-hands](4+4+4+4).
Partner Pull-by, Hey! Major [or Half] Hey-for-Eight(16). Keep on going till you see your Partner.
Partner bal&swing(4+12); end in Becket formation. Face that other couple!
Circle left 3-places(6), Face up and down Pass thru and swing the next to a new set(2), to Swing your new nbr(8). [End in BECKET, facing partner, next to nbr, in two groups-of-four.]
[Four] Long lines, fwd&back(8). allemand-L 1.5 into(8)… a long Wavy line of eight folk, your partner in your R-hand.
Rory O'More [wavy-bal, R-L, slide right catch L-hands, bal L-R, slide left, snag R-hands](4+4+4+4).
Partner Pull-by, Hey! Major [or Half] Hey-for-Eight(16). Keep on going till you see your Partner.
Partner bal&swing(4+12); end in Becket formation. Face that other couple!
Ely Waltz
by Colin Hume.
[Pronounced “eel lee”.
Circle-mixer waltz, double progression:
Couples start in big circle,
with on the right. Parenthetical-numbers count triple-steps.]
Circle left(4). Circle right(4).
R-Hand turn partner(3), move on passing R-shoulder(1). L-Hand turn the next(3), move on passing L-shoulder(1).
Give R-Hand to #3, bal. fwd-and-back(2); box the gnat(2).
Bal. fwd-and-back(2); do a wide turn-single, ending facing out, facing in(2); flowing into...
Do-si-do this new partner(4). In ballroom position, waltz around(4), opening up w. on right, hands joining in a big circle.
Circle left(4). Circle right(4).
R-Hand turn partner(3), move on passing R-shoulder(1). L-Hand turn the next(3), move on passing L-shoulder(1).
Give R-Hand to #3, bal. fwd-and-back(2); box the gnat(2).
Bal. fwd-and-back(2); do a wide turn-single, ending facing out, facing in(2); flowing into...
Do-si-do this new partner(4). In ballroom position, waltz around(4), opening up w. on right, hands joining in a big circle.
Not all Earthquakes are Andreas' Fault
by Jonathan King.
(July 2013)
[BECKET: The
[Before becketizing: Id DIR-PROG. Pass through up-down, takes hands4 with the next; these are your current nbrs. Your Previous nbrs are behind you. Now BECKETIZE.]
Star-R 3-places(8). With new couple “your previous nbrs”, star-L all-the-way(8).
[Face orig. Nbr; ONEs down, TWOs up] Square-Through [Nbr R-hand bal and pull-by(4+2); w.prtnr L-hand pull-by across(2); w.nbr R-hand bal and pull-by(4+2); w.prtnr pull-by across(2)], to face current nbr. In this Square-Through: always turn right, turn left.
Swing curr.nbr(8). “Earthquake! You swing the next!” Face away from the-one-you-swung, and swing the next(8) [in your Dir-Prog.].
Circle-left 3-places(8). Partner swing(8).
Written for my Cocoa Beach friend, Andreas. First called at his dance.
Earthquake!shakes you from the-one-you're-swinging to swinging-the-next. (Triple-Swing version, single-progression.)]
[Before becketizing: Id DIR-PROG. Pass through up-down, takes hands4 with the next; these are your current nbrs. Your Previous nbrs are behind you. Now BECKETIZE.]
Star-R 3-places(8). With new couple “your previous nbrs”, star-L all-the-way(8).
[Face orig. Nbr; ONEs down, TWOs up] Square-Through [Nbr R-hand bal and pull-by(4+2); w.prtnr L-hand pull-by across(2); w.nbr R-hand bal and pull-by(4+2); w.prtnr pull-by across(2)], to face current nbr. In this Square-Through: always turn right, turn left.
Swing curr.nbr(8). “Earthquake! You swing the next!” Face away from the-one-you-swung, and swing the next(8) [in your Dir-Prog.].
Circle-left 3-places(8). Partner swing(8).
Written for my Cocoa Beach friend, Andreas. First called at his dance.
WarmUp
by Jerry Blum, Patti Gutwein, John Lenarduzz,
Kathryn C. Millis, Josh Moses, Dave Notman,
Bill Olson, Kate Power, Cary Ravitz.
[4-FACING-4: Has the “Awful ” move.]
In line facing you. The couple on the diagonal has your 1st-nbr. In the couple across from you is your 2nd-nbr. You are facing your “Original Direction”. , you have 3 swings, each ending facing a different direction. Your Partner-swing ends facing your original direction.
Lines-of-four, foward and back(8). Up/down: In little-groups-of-four, start a half-hey(8).
“All four , star halfway.” R-hands-across-star, halfway round till they see their 1st-nbr(8). Swing that nbr(8), ending facing across the set (i.e, like in long lines).
In your new little-groups-of-four, allemand-L 1.5(8) to their 2nd-nbr. Swing 2nd-nbr(8), ending facing Reverse Direction.
[Up/down in your new little-groups-of-four] Circle left 3-places(8). Swing partner, end facing Original Direction, in your line-of-four.
Its good if the music has an energy boost either on B1 [best] or A2. Also, kinda funky is good.
In line facing you. The couple on the diagonal has your 1st-nbr. In the couple across from you is your 2nd-nbr. You are facing your “Original Direction”. , you have 3 swings, each ending facing a different direction. Your Partner-swing ends facing your original direction.
Lines-of-four, foward and back(8). Up/down: In little-groups-of-four, start a half-hey(8).
“All four , star halfway.” R-hands-across-star, halfway round till they see their 1st-nbr(8). Swing that nbr(8), ending facing across the set (i.e, like in long lines).
In your new little-groups-of-four, allemand-L 1.5(8) to their 2nd-nbr. Swing 2nd-nbr(8), ending facing Reverse Direction.
Face partner, hands-4, circle left.
[Up/down in your new little-groups-of-four] Circle left 3-places(8). Swing partner, end facing Original Direction, in your line-of-four.
Its good if the music has an energy boost either on B1 [best] or A2. Also, kinda funky is good.
Waltz and Break.
Dr. Bluhm's Delight
by Rick Mohr.
[BECKET:]
[Shift left to meet next couple],
Circle left 3-places(2+6).
Nbr swing(8).
Long lines(8).
L-Handshake-star [Left-hands-across] 1/2 drop out(4), keep Allemanding-L 3-places more(4), to Join R-hands with NBR to form wave-of-four across the set.
[ have done a full-allemand and a little bit more.]
Bal-the-wave(4). Allemand-R with NBR 5/8 (4). Turn by the RIGHT (to) diagonal wave, in the center
join L-hand with next to form diagonal wave; Bal-the-wave(4). allemand-L 3/4 turn by the LEFT (to) diagonal wave to join R-hand with partner in other-diagonal wave(4).
Bal-the-wave(4) [you have partner in R-Hand]. Swing partner(12). [Slide a little left to face new nbrs]
Long lines(8).
L-Handshake-star [Left-hands-across] 1/2 drop out(4), keep Allemanding-L 3-places more(4), to Join R-hands with NBR to form wave-of-four across the set.
[ have done a full-allemand and a little bit more.]
Bal-the-wave(4). Allemand-R with NBR 5/8 (4). Turn by the RIGHT (to) diagonal wave, in the center
join L-hand with next to form diagonal wave; Bal-the-wave(4). allemand-L 3/4 turn by the LEFT (to) diagonal wave to join R-hand with partner in other-diagonal wave(4).
Bal-the-wave(4) [you have partner in R-Hand]. Swing partner(12). [Slide a little left to face new nbrs]
Princely Petronella Stars
by Jonathan King.
(Aug. 2013)
[BECKET: Reverse--single-prog.
Before becketizing:
(We'll start with one couple out.)
Pass through up-down, takes hands4 with next nbrs.
(For me: Your Previous nbrs are behind you.)
BECKETIZE. In one hand is your Partner, the other is your SHADOW.]
[Everyone: Look on the R-diagonal; after once though the dance, you'll be across from that couple. And in just a moment, you be swinging that person on the R-diagonal.]
Revonella-star back to place(8+8). Face away from partner, take hands4 with a new couple; you are facing your Shadow.
[Your partner is in a different hands4.] [Out at the end: Turn as a couple to face in.]
Petronella-star back to place, and one place more(8+8). Swing your New-nbr; the person [on your side of the set] in the adjacent star(8). [At the end of the petronella-star, the is looking at the back of her New Nbr's head, while the rolls over his R-shoulder to see his new nbr behind him.]
Swing this new-nbr, then [as a couple] slide-left, till you are across from the couple that has your partner(8). snag R-hands and allemand 1.5 (8).
Partner bal&swing(4+12).
[Everyone: Look on the R-diagonal; after once though the dance, you'll be across from that couple. And in just a moment, you be swinging that person on the R-diagonal.]
A “Petronella-star” is a conventional petronella (ring-balance, twirl-right one place) but ending in a L-hand wristgrip-star. A “petronella-star 5-places-round” is relative to your initial psn. You end up in the same place a “circle-right 5-places ” puts you, but using 16 beats of music.
A “revonella” is a reverse petronella: Ring-balance, then twirl-left one place. A “Revonella-star” is a reverse petronella that ends in a right-hand star. And a “revonella-star 4-places-round” puts you back where you started.
Revonella-star back to place(8+8). Face away from partner, take hands4 with a new couple; you are facing your Shadow.
[Your partner is in a different hands4.] [Out at the end: Turn as a couple to face in.]
Petronella-star back to place, and one place more(8+8). Swing your New-nbr; the person [on your side of the set] in the adjacent star(8). [At the end of the petronella-star, the is looking at the back of her New Nbr's head, while the rolls over his R-shoulder to see his new nbr behind him.]
Swing this new-nbr, then [as a couple] slide-left, till you are across from the couple that has your partner(8). snag R-hands and allemand 1.5 (8).
Partner bal&swing(4+12).
Wizard's Walk
by Ruth Ungar.
[IMPROPER: Do the Contra Stretch! Hands4,
identify ONEs, and DIR-PROG.]
Circle left halfway, ring-balance(4+4). Circle left halfway, ring-balance(4+4).
In your rings-of-four, starting on the side: Square-Through 4 places [R-to-Nbr, L-to-partner, R-to-Nbr, L-to-partner](2+2+2+2) . Nbr 1.5(8) on the side, to progress.
Partner bal&swing(4+12) this swing is across the set, so needs extra room. End facing original-dir [facing away from the couple you have been dancing with].
Wizard's walk: Sliding doors. ONEs separate and go down outside TWOs, meet and continue down to split next TWOs;
Reverse. ONEs now separate and back-up outside those TWOs, meet and back-up through previous TWOs, ready to form the circle to start the dance again [TWOs should oscillate in and out to make room] [Lizard walk variant: the TWOs can move up the set and back to share the work with the ONEs.]
ONEs prog. off the bottom, prtnr-swing across the set, end facing UP, becoming TWOs. There'll be TWOs in front of you. Some ONEs will go around them, then split you.
Circle left halfway, ring-balance(4+4). Circle left halfway, ring-balance(4+4).
In your rings-of-four, starting on the side: Square-Through 4 places [R-to-Nbr, L-to-partner, R-to-Nbr, L-to-partner](2+2+2+2) . Nbr 1.5(8) on the side, to progress.
Partner bal&swing(4+12) this swing is across the set, so needs extra room. End facing original-dir [facing away from the couple you have been dancing with].
Wizard's walk: Sliding doors. ONEs separate and go down outside TWOs, meet and continue down to split next TWOs;
Reverse. ONEs now separate and back-up outside those TWOs, meet and back-up through previous TWOs, ready to form the circle to start the dance again [TWOs should oscillate in and out to make room] [Lizard walk variant: the TWOs can move up the set and back to share the work with the ONEs.]
ONEs prog. off the bottom, prtnr-swing across the set, end facing UP, becoming TWOs. There'll be TWOs in front of you. Some ONEs will go around them, then split you.
Weave the Line
by Kathy Anderson.
[IMPROPER: Double-progression. 3 sets of nbrs]
Lefthand star(8) [sugg.: wrist-grip star]. [Reverse] Circle-left(8).
[Hang on to your partner] Veer left around NBRs#1, veer right around NBRs#2 (4+4). [As individuals] DoSiDo your nbr#3 (8).
[Look behind you] Bal&Swing(4+12) nbr#2.
Long lines(8). Actives swing(8) [“One's swing, Two's frame”.]
Lefthand star(8) [sugg.: wrist-grip star]. [Reverse] Circle-left(8).
[Hang on to your partner] Veer left around NBRs#1, veer right around NBRs#2 (4+4). [As individuals] DoSiDo your nbr#3 (8).
[Look behind you] Bal&Swing(4+12) nbr#2.
Long lines(8). Actives swing(8) [“One's swing, Two's frame”.]
